There was another figure standing there.
It was me in a dusty mirror…
The reason I did it was that I wanted a portrait
of the dryness of the place,
that special sort of dryness of dead flies
that are left in a room that’s been closed for years.
Andrew Wyeth
on painting The Revenant, 1949
The Olson House
Andrew Wyeth spent a lot of
time some three decades (1939-1968), at the Olson House (which belongs to the Farnsworth Art Museum), on the Cushing Peninsula in Maine, talking, sketching, painting, finding inspiration.
Alvaro and Christina Olson, the bother and sister who lived there, became his friends. He used an upstairs room as his studio, where he painted over 300 paintings. It was the view from a third story window that inspired his well known/iconic painting, Christina's World.
I visited the empty house during the summer of 2010, a house filled with tangible emotion and light. A house pregnant with stories and secrets.
Alvaro and Christina Olson, the bother and sister who lived there, became his friends. He used an upstairs room as his studio, where he painted over 300 paintings. It was the view from a third story window that inspired his well known/iconic painting, Christina's World.
I visited the empty house during the summer of 2010, a house filled with tangible emotion and light. A house pregnant with stories and secrets.
A bouquet of tangled wildflowers,
tiny seashells in a bird’s
nest,
empty glass canning jars,
peeling wallpaper
and silence,
the residue of so much emotion
in this old weathered wooden house
on a hill,
filled with light
and vanished dreams,
the black horse wandering lost,
the apples ripe on the ground.
EMZ

















2 comments:
Interesting. I would love an opportunity to photograph his house, how great. I would name Wyeth as the number 1 influencer of my photography. I own 3 Wyeth books and would love to have them all, I fall asleep studying his images...he is so great.
The comverging verticals in these photos sadly distract from their otherwise aesthetic excellence.
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