I wrote about Mr. Akash on Lenscratch two years ago, sharing his riveting work from Nothing to Hold Onto, about train travel in Bangladesh and Life at the Dump Yard, about trash pickers. You can read more about GMB in this Tiffin Box interview.
GMB recently wrote me about his opportunity to lecture at TEDxO'Porto 2011 in Portugal, featured in the You Tube below. This also sent me back to his website and I am featuring work from his heartbreaking series, Born to Work, about child labor in Bangladesh. I had a hard time editing this project, so I am sharing more images than usual.
Born to work: Child labour is not a new issue in Bangladesh. as children remain here one of the most vulnerable groups living under threats of hunger, illiteracy, displacement, exploitation, trafficking, physical and mental abuse. Although the issue of child labor has always been discussed, there is hardly any remarkable progress even in terms of mitigation.

17.5 percent of total children of the 5-15 age group are engaged in economic activities. many of this children are engage in various hazardous occupations in manufacturing factories. factory owners prefer to employ children as they could pay them less and also able to keep their factories free from trade unionism. a child labour gets taka 400 to 700 ( 1 USD = 70 taka) per month, while an adult worker earns up to taka 5000 per month.



















4 comments:
Dear Aline,
Thank you for showing this stunning, heartbreaking work, and for featuring it on the heels of the "What Price Success?" discussion.
Mr. Akash's work reminds us all ~ once again! ~ that whatever the frustrations and limitations we may feel as artists striving to make both art and a living, each of us is truly privileged to pursue that self-chosen path.
Thanks again for all you do!
My best,
Thanks David...
You nailed it!
Impressive images from a photographer I wasn't aware of until now. He really lives his calling and has found the right tool for his message (or was it the other way round?).
As I have been in such countries - albeit not such extreme situations where children were involved - I can only say that this puts extreme stress on the photographer as a person. Reason enough for admiration and thanks.
Aline, thank you for posting this work - it is some of the most beautiful and heartbreaking I've ever seen.
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