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Friday, December 10, 2010

Abelardo Morell

Looking at exhibitions currently on view in New York...

I've never met an Abelardo Morell image that I didn't like and New Yorkers have a chance to see his work in a two concurrent gallery exhibitions this fall/winter. The Bonni Benrubi Gallery and the Bryce Wolkowitz Gallery are featuring work that will run through January 8th, 2011. I had a chance to see his photographs at the Bryce Wolkowitz Gallery, and was particularly interested in seeing his new camera obscura work done using a tent, rather than a room.

His earlier work uses a centuries old optical principle in combination with digital camera work, where Abelardo blacks out windows in rooms while leaving a small hole open, the aperture, which, in effect, transforms the space into a camera, thus overlaying the world outside inside. His new project, Groundwork, uses a lightproof tent and periscope that allows Abelardo to project a view of the nearby landscape directly onto the ground below.

I find these images magical, with some of the magic created by the place itself, but when combined with architectural and personal details of interior spaces, the inside out world of Alberlardo's photographs become, well, other worldly.

Images from Groundwork






Images from The Universe Next Door














3 comments:

Patricia Lay-Dorsey said...

What extraordinary work! I love it when photographers push the boundaries and create something that's never been seen before. A breath of fresh air!

Thanks so much for giving us an eye into these amazing NYC exhibits. You have a way of bringing out the essence of the work.

Anonymous said...

Ab's work is incredible. If you're interested in his process there's a really good documentary about him. I was lucky enough to have one of his former printing assistants as a professor in college thus having some "insider" access into his life as a photographer. His work speaks for itself but he truly is an amazing person as well.

rhaphazard said...

I'm guessing this is being done using the same concepts as pinhole photography.
But how did he get the image to project right-side up?